On a present Monday evening, on the way in which during which to fulfill the designer of the can that holds Carl, an eminently widespread Kölsch from native brewery St. Elmo, I stop at a nook retailer to pick up a sixer of the beer.
I can picture it in my ideas’s eye: the blue plastic holder, the white cans with diagonal purple stripes and C-A-R-L swooshed all through in script. It’s a enticing piece of art work containing a perfect-for-Monday easy drinker. As I peruse the coolers, it is quickly apparent that Carl is each purchased out or he hasn’t made it proper right here however.
It’s troublesome to consider until I discover that the now-ubiquitous Carl cans are pretty new, as craft beer in Austin goes; it didn’t crop up until the COVID-19 pandemic, and even then, people had been chasing it down at specialty retailers, usually to no avail.
Since its introduction, though, Carl has had a specific kind of preserve on Austin beer drinkers whose model buds have been pummelled by hops and who flinch on the thought of exhibiting up at a celebration with a six neon cans of a quintuple IPA referred to as Unicorn Barf.
“It’s kind of a no-nonsense beer,” St. Elmo head brewer Drew Genitempo tells me. He’ll brew the 353rd batch of Carl this week, numerous which is perhaps canned inside a no-nonsense cylinder.
It’s the kind of beer I want to have at this second, on account of I am explicitly not a fan of nonsense, on account of the can always makes a terrific entrance, because of the symmetry of all of it.
Arriving at its designer’s home, Keith Davis Youthful explains to me why I’m bummed.
“For those who understand Carl,” Youthful says, “that will is ironed into your thoughts.”
Youthful’s straightforward, daring design of the Carl can shows the highbrow-lowbrow steadiness of the beer contained within the can.
Drew GenitempoCarl With a “C”
Carl acquired right here to St. Elmo proprietor Bryan Winslow when he was working at Austin Beerworks, partially on account of he remembers nicking cans of Saint Arnold’s Lawnmower from a pal’s dad whereas rising up in Houston and falling love with the delicious simplicity of the Kölsch.
When he left Austin Beerworks in 2015 to start St. Elmo Brewery, he requested his former employers if he would possibly take his prized recipe, then referred to as Karl, with him. They graciously allowed him to, “which they didn’t have to,” Winslow components out. All he did was change the spelling.
“I always thought he was Carl with a C,” he says.
Almost immediately, visitors to the South Austin brewery resonated with Carl, a crisp, mild Kölsch which the owners decided to assemble the rest of the menu spherical. It grew to change into — and nonetheless is — St. Elmo’s flagship beer.
In 2017, the demand for Carl had grown that distribution grew to change into inevitable, and kegs of Carl started exhibiting up spherical metropolis at bars and consuming locations. Shortly after, crowlers of the stuff might very nicely be purchased. Nevertheless Carl wished a visual identification as a result of the brewery able to can it for retail product sales.
In early design conferences with Youthful, who had been designing collateral for St. Elmo, like stickers, signage, and menus, Winslow conveyed the feeling of who he thought Carl was and what he embodied.
“The beer that your granddad would sneak you a sip of in his storage,” Youthful remembers. “You might be smelling freshly scale back grass. Okay-Swiss with grass stains and jean shorts.”
Immediately Youthful thought of beers like Pearl and Hamm’s, throwback, old-man beers with straightforward designs, nonetheless he wished to go even cleaner alongside together with his design to match Carl’s crispness. He started studying earlier can designs and traditional beer ephemera on eBay, nonetheless way more important to his course of was inhabiting the character of the beer inside the can. It was a holistic sensory practice that transcended straightforward visuals.
“It was a lot of grilling, listening to a lot of stuff my dad grew up on,” he says. “I grew to change into the most important Steely Dan fan all through this era.”
Nostalgia — a way — was king: Clark Griswold, Fleetwood Mac, really merely being exterior amongst nature. And from there, the obsession solely grew. A month stretched into six of Youthful listening to Aja on repeat and growing with designs, nonetheless nothing appeared pretty correct. He felt the stress — not from the St. Elmo owners nonetheless from himself, realizing that his design would symbolize the seen identification for the brewery on 10,000 cylinders that wished to advertise.
“A lot of folks had been like, ‘Correctly, it’s solely a beer can,’ nonetheless there was tons utilizing on this for St. Elmo,” Youthful says. “I did actually really feel a lot of pressure on account of I’m like, that’s your very very first thing to go to distro. So I increased do this correct.”
It wasn’t always easy like Sunday morning. Youthful remembers one meeting at Simple Tiger when he obtained a observe that the Carl design appeared an extreme quantity of like a soda can.
“We talked about that tons,” Winslow says. The St. Elmo proprietor remembers in no way being 100% on any design, nonetheless that he beloved the purple stripes as a design element, notably as one factor on which to assemble a mannequin identification.
It was a irritating second for Youthful, nonetheless he held sturdy, telling the other stakeholders that the design wanted to be iconoclastic for it to work. Carl wanted to face by itself on crowded beer cupboards.
“The thought behind that could be a lot greater,” Youthful says. “It’s practically exuding a character by means of kind.”
It acquired right here right down to 2 designs, one relatively extra minimal, and the Carl can that is now ubiquitous at house occasions, on get collectively barges, and all over the place else all by means of Central Texas.
“Keith was feeling that one most likely essentially the most,” Winslow says, of the profitable design, “and when uncertain, I perception his opinion.”

Carl took about six months to design, from concept to can.
Drew GenitempoBasic Sells
The vintage-looking beer can had a critical resurgence amongst craft brewers when one in every of many largest brewers in America dusted off an earlier primary for what was to be a brief call-up stint.
When Miller Lite re-introduced itself with a circa-Seventies uncluttered white label, straightforward “Lite” typeface and model in January 2014, it was meant as a brief tie-in with Anchorman 2, launched the sooner month.
Going by means of a 7% drop in product sales the sooner yr, MillerCoors was eager to attempt one thing, along with tapping into nostalgia by means of a lackluster Will Ferrell sequel. Nevertheless when product sales skyrocketed that month, executives quickly pivoted, scheduling the new-old-look can’s utilization by means of September sooner than holding the design fully.
“The white can turns people’s heads,” Ryan Reis, senior director of the Miller family of producers at MillerCoors, knowledgeable the Chicago Tribune once more then.
The similar can be said for Carl, the kind of craft beer can for which one would possibly usually eschew the customary koozie.
“From the liquid all the way in which during which to its presentation inside the artwork work, it sends the message of approachability and accessibility,” Genitempo says, “for the frequent consumer and for beer nerds.”
That’s the exact observe Youthful tried to hit as he spent “perpetually,” as he remembers, attempting to make these 4 letters look correct in a big brush script.
“Mental-lowbrow is the aesthetic,” he says. “Nevertheless it is moreover embodying one factor that I really feel, has a humorousness, and is pretty humble.”
That sensibility unfold to the craft beer group, the place it seems like many producers have a minimal of 1 can design that’s not a cartoon hologram of a dragon destroying a skyscraper. The vintage-looking — nonetheless not dusty-tasting — beer can is now trendy, thanks, partially to Youthful’s Carl design.
The yr sooner than Carl, Chicago brewery Marz unveiled straightforward, clean-looking can designs meant to evoke “’80s cult primary Repo Man and its generic beer cans.” The UK’s Brewgooder rebranded in 2021, now evoking a straightforward,’70s aesthetic all through its line of cans.
Winslow moreover sees Carl-type clones inside the wild on occasion. His preliminary response is usually annoyance, which he quickly will recover from with one straightforward realization: “Hey, we’re doing one factor cool that totally different people have to do … which is cool.”

Remaining fall, Carl emerged for trying season in full camo.
Drew GenitempoTimeless Design
This fall, St. Elmo will open a second location in North Austin, merely down the road from the deliberate second Austin Beerworks brewery. It is made doable — and is necessitated — largely partially on account of success of Carl cans. Winslow moreover says the plan is to make Carl obtainable all over the place from Georgetown proper right down to San Antonio this yr by means of self-distribution.
“I’m really proud that Carl is our flagship. I really feel it’s important to have anyone to information the price,” he says, acknowledging that Carl will need to have some further buddies on the shelf ultimately.
As for Carl’s legacy, Winslow says its too early to tell, nonetheless he provides what he hopes it is going to probably be.
“It’s such a cool and timeless can,” Winslow says. “I really hope that my youngsters can be brewing and canning that as a staple Texas beer.”
Stretching out on his porch, Youthful says that it seems like such a small issue — what a beer can appears to be like — nonetheless laments the reality that the majority breweries don’t put as quite a bit effort into the overall seen identities of their merchandise. In any case, Carl’s attraction and continued success goes correctly previous merely the 12 ounces of liquid gold inside the can.
“There are many really horrible design in the marketplace, and 90 p.c of breweries don’t take it severely” he says, smiling. “This may need existed inside the ’70s, or now, or 20 years from now.”